Certain artists know who they are and
what their music represents, and they have the strength of character not to
waver from that truth. Darren Kozelsky is that caliber of artist.
A Texas native, who first
carved a successful career on the competitive Lone Star music circuit, Kozelsky
is a "what you see is what you get" kind of guy. He hasn't adopted a
radio-friendly stage name. He makes the kind of country music he grew up
listening to with his dad in the family's auto shop. He's that new breed of
artist that takes the best of country's traditions and infuses them with the
perspective of a modern day husband, father and troubadour.
The title of Kozelsky's
current album, "Arrivals & Departures," seems apropos for an artist who
performs 200 shows a year from Dallas, Texas to Crappone, France and all points
in between. The album's first single, the hardcore country anthem "Seven Vern
Gosdins Ago," debuted at No. 10 on the European chart in addition to the strong
buzz it's been generating stateside.
"Seven Vern Gosdins Ago"
is just one of the gems on "Arrivals & Departures," a finely crafted
collection that deftly showcases Kozelsky's warm, engaging voice and excellent
song sense. "The whole record is kind of a little story," Kozelsky says. "I
didn't plan for it to be that way, but each song just flows to the next. I hope
that it's a little book of songs that everybody can pick up and get some
satisfaction out of, make them feel better or brighten their day."
A native of San Angelo,
Texas, Kozelsky grew up in nearby Ballinger. His older brother was a star
athlete and he admits to trying to follow in his footsteps initially. "I tried
Little League one year and got hit in the head by the fastest pitcher in the
league," he recalls. "I had a helmet on. I put the bat down and said 'Man,
forget this!'"
Instead, he spent more
time helping his father at his shop, where country music mingled with the
clanking of tools. "I can remember my dad listening to Willie and Merle and all
those guys," says Kozelsky, also citing George Strait as a major influence who
came along later. "Dad loved George Jones too and Vern Gosdin was always one of
the voices I heard on the radio. Every time I hear those voices, it always
takes me back to those days."
When his Aunt Deanna gave
the young artist her guitar, he soon knew what he wanted to do. "I could sit
down with my voice, have a guitar in my hand and play a song and turn
somebody's head. I could see that they enjoyed it," says Kozelsky. "I was
hooked."
When his Aunt Deanna gave
the young artist her guitar, he soon knew what he wanted to do. "I could sit
down with my voice, have a guitar in my hand and play a song and turn
somebody's head. I could see that they enjoyed it," says Kozelsky. "I was
hooked."
As his regional popularity
grew, people began suggesting he change his name. For a brief spell, he used
his first and middle names, performing as Darren Andrew, but it didn't feel
right. "I've been called Darren Kozelsky since kindergarten when I couldn't
write my name," he says with a self-effacing smile. "I don't know what's more
real than my name. If I can't be who I am, then I don't feel fair trying to
sell myself to people because it's not real what they are getting."
Armed with his own unique
moniker, a killer stage show and an arsenal of songs, Kozelsky decided to step
up his game. He's already recorded one critically acclaimed indie CD, but was
looking to take his music to the masses. In doing so he enlisted noted
producers J.R. Rodriguez and Phil O'Donnell (known for his work with Craig
Morgan and Justin McBride, among others). A gifted songwriter in his own right,
Kozelsky penned the title tune, but also turned to top writers such as Casey
Beathard, Tom Shapiro, Kevin Welch, Liz Hengber and Jason Sellers for the tunes
that populate his new project.
"I'm not going to put a song
on the record simply because I wrote it," he says. "I'm not going to force
something. I just wanted to have a great record. If it's something
that I relate to then I'm totally comfortable cutting it, putting it on a
record and delivering it to people."
Even the songs Kozelsky
didn't write seem as though they were ripped from his journal, most notably the
sultry ode to a satisfying relationship "Loving You Loving Me," the breezy road
trip anthem "Good Day to Get Gone" and "She Got Me There," a celebration of the
transforming power of love. "Somebody Find Me A Preacher" is a portrait of a
man who knows he's found the love of his life and can't wait to tie the knot.
"Old Has Been," written by
Beathard, O'Donnell and Kendell Marvin, is a song about pursuing your dreams
without regret. "Go big or go home. Don't be afraid of failure," Kozelsky says
and it's obvious the lyric echoes his philosophy on life and career. "Folks may
make fun of you, call you names or whatever, but I just say 'hey let them set
on the bench while you at least give it your best shot.' I'd rather be an
old has been than a never was."
Kozelsky says "Seven Vern
Gosdin Ago" holds special significance for him. "It put the country stamp on
this album for me and I think it totally made the album come full circle," he
says. "Plus it references three of my favorite artists-- Vern Gosdin, George
Jones and Doug Stone. There wasn't a day growing up that I didn't listen to
songs like this. I could easily say that this is my favorite one on the
record."
Kozelsky penned the title
track with Seth Borsellino and Chris Claridy. "I chose to put that very last
and it kind of wrapped up the whole album for me," says Kozelsky. "We're here
one day and gone the next. Have fun. Enjoy it. Don't be afraid of failure.
Don't be afraid to stick your neck out there and say 'Hey, I might get a bruise
on my cheek, but I'll heal.' It's always easier said than done, but enjoy it."
It's that
passion for living and Kozelsky's appreciation for both life's triumphs and
challenges that percolate throughout "Arrivals & Departures." Like his
heroes Gosdin, Jones, and Strait, Darren Kozelsky takes life experiences
everyone can relate to and weaves them into a rich musical tapestry. "There's
no way I could not do this," Kozelsky says of making music. "It is the thing
that I do best and I don't know of anything else that my heart would be in as
it is in music."
